Battlefield 1 wastes little time in conveying the savagery of World War 1. The inevitability of death is the focus of the bleak story prologue. A burning man’s screams can be heard at the start of every multiplayer match in the Argonne Forest. It’s ruination on a multi-continental scale, a conflict so large that its location menus showcase a large portion of the Earth. EA DICE splendidly interprets the early 20th century as a world in technological transition while humanizing the war’s participants through well crafted, albeit fictional, narrative vignettes. Combined with an enthralling multiplayer component, the overall result is the studio’s best work since Battlefield: Bad Company 2.
The horrors and heroism of The Great War are well told in War Stories, Battlefield 1’s campaign. It’s a more focused experience compared to prior Battlefield story modes of globetrotting and one-note powderkeg narratives. These new tales are organized in a non-linear anthology format that doesn’t need to be played in any particular order. You are exposed to a variety of perspectives from the characters you play, each with their own motivations, from altruistic to self-serving. And each tale is presented with distinct narrative flavor. The exploits of the mostly unlikeable Clyde Blackburn, for example, represent the stories that get mixed up in the chaos of war. This gambler and swindler leaves the events of his alleged adventure open to interpretation. His tale is an effective contrast to the somber post-war account of Luca Vincenzo Cocchiola, an armored Italian soldier tasked with protecting his twin brother from everything from bombers, shock troopers, flamethrowers, and more.